All the following articles are by Jeanne Lombardo
Art and Architecture
- A Genius Cut Short: Vermeer’s Stylistic Path from The Milkmaid to The Guitar Player (And Where It Might Have Led…)
- Arts and Crafts: The Pursuit of Beauty and Functionality in the Twentieth Century
- The Desert Aesthetic of Frank Lloyd Wright: A Comparison of Taliesin West and Grady Gammage Auditorium
- Taoism and its Influence on the Arts of China
- Touching the Intangible: Zen and the Arts of Japan
History
- History: The Power of the Idea and the Idea of Power
- The Role of History and Historians in a World With No Center
- A Review of The Guns of August by Barbara W. Tuchman
- A Review of Seven Myths of the Spanish Conquest by Matthew Restall
Literature
- Death and Beauty: Deliverance from Mortality in The Works of Thomas Mann and Yasunari Kawabata
- From Hero to Man: Euripides’s Alcestis
- From Mothers to Lovers: Desire, Power and Writing the Self in Duras’s The Lover and Lorde’s Zami: A New Spelling of My Name
- From Starvation to Suffocation: Extremes of Female Repression in Toni Morrison’s The Bluest Eye and Virginia Woolf’s The Voyage Out
- Pale Mourner, Lost Discoverer: The Romantic Pilgrim and Transcendental Lover in Pablo Neruda’s Twenty Love Poems and a Song of Despair
- Relativity, Tragic Farce and Language On Trial: A Post-Modern Perspective on Luigi Pirandello’s It Is So (If You Think So)
- The Personal Become Political: Nadine Gordimer’s Burger’s Daughter and Duong Thu Huong’s Paradise of the Blind
- Through a Cracked Looking-glass: The Search for the “Self of Selves” in James Joyce’s Portrait of the Artist as a Young Man
- Time and Solitude: Parameters of Being in Golding’s Lord of the Flies and Marquez’s One Hundred Years of Solitude
- Woman as Witch in Anne Sexton’s “Her Kind”
- Yin Yang and Tao: The Self, the Other, and the Process in Toni Morrison’s Sula
- A Review of Sor Juana, Or The Traps of Faith by Octavio Paz
Music
- Invitation to Mozart’s “Minuet” No. 6 for Piano in D Major: An Inquiry into the Nature and Value of Music
- Mozart’s “Menuetto” and Trio from the String Quartet in D Major: On the Objective and Subjective Aspects of an Appreciation of Music
- From the “Pigtail” to the Lion’s Mane: Classical and Romantic Elements in Beethoven’s Symphony no. 8 in F Major
- The Romantic Dialectic of Robert Schumann’s Davidsbündlertänze
- The Divine Dissonances of a Yankee Maverick: Charles Ives, Symphony No.4